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In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on ...
In music, consonance and dissonance are words which are used to describe certain musical intervals or chords. The adjectives are consonant and dissonant. A consonant interval or chord is one which sounds stable and pleasant. It could, for example, be the end of a piece of music.
The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant.
Consonance is a form of rhyme involving the repetition of identical or similar consonants in neighboring words whose vowel sounds are different (e.g., coming home, hot foot). [1] Consonance may be regarded as the counterpart to the vowel-sound repetition known as assonance.
Dissonance has several meanings related to conflict or incongruity: Cognitive dissonance is a state of mental conflict. Cultural dissonance is an uncomfortable sense experienced by people in the midst of change in their cultural environment.
Consonance and dissonance are subjective qualities of relationship that we assign to music intervals. A quick review of intervals might be helpful if you're approaching the subject for the first time.
Consonance and dissonance, in music, the impression of stability and repose (consonance) in relation to the impression of tension or clash (dissonance) experienced by a listener when certain combinations of tones or notes are sounded together.
Going back to Giovanni Battista Benedetti, an Italian Renaissance mathematician and physicist, sonance can be best described as relative consonance and/or dissonance of a musical interval – a continuum of pitches encompassing consonance on one end, and dissonance on the other (Palisca, 1973).
Briefly, the concepts of consonance and dissonance are a combination of objective, acoustic phenomena—what we might call "acoustic consonance/dissonance" or "concordance/discordance"—and subjective, cultural phenomena that may or may not correlate with acoustics (but often do).
In music, a consonance (Latin com-, "with" + sonare, "to sound") is a harmony, chord, or interval considered stable, as opposed to a dissonance (Latin dis-, "apart" + sonare, "to sound") — considered unstable (or temporary, transitional).