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The journal was established in 1945 as the Archives of the Chinese Art Society of America. It obtained its current title with volume 20 in 1966. It obtained its current title with volume 20 in 1966. The journal is owned by the Asia Society , which in 2007 changed its publisher from Brepols to the University of Hawaii Press .
The Chinese Historical Society of America (simplified Chinese: 美国华人 历史 学会; traditional Chinese: 美國華人歷史學會; pinyin: Měiguó Huárén Lìshǐ Xuéhuì; Jyutping: Mei 5 gwok 3 Waa 4 jan 4 Lik 6 si 2 Hok 6 wui 6; abbreviated CHSA) is the oldest and largest archive and history center documenting the Chinese American experience in the United States.
The qi (棋) was defined as the board game now called weiqi (圍棋) in Chinese (Go in Japan and the West), literally meaning "surrounding game". Current definitions of qi cover a wide range of board games, and given that in classical Chinese qí could also refer to other games, some argue that the qí in the four arts could refer to xiangqi ...
Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers ...
Wen C. Fong (Chinese: 方聞; pinyin: Fāng Wén; 1930 – October 3, 2018) was a Chinese-American historian of East Asian art. He was the Edwards S. Sanford Professor of Art History at Princeton University, where he taught Chinese art history for 45 years. In 1959 he co-founded the first doctoral program in Chinese art and archaeology in the ...
Lianhuanhua (simplified Chinese: 连环画; traditional Chinese: 連環畫; pinyin: Liánhuánhuà) is a type of palm-size picture books of sequential drawings popular in China in the 20th century. It influenced modern manhua. [1]
Jiehua (simplified Chinese: 界画; traditional Chinese: 界畫) painting, sometimes translated as “border painting,” “boundary painting,” or “ruled-line painting,” is a field within Chinese visual art that describes paintings featuring detailed renderings of architecture with shan shui (mountains and rivers) backgrounds and figures, boats, and carts as embellishments.