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Contemporary Catholic liturgical music encompasses a comprehensive variety of styles of music for Catholic liturgy that grew both before and after the reforms of the Second Vatican Council (Vatican II). The dominant style in English-speaking Canada and the United States began as Gregorian chant and folk hymns, superseded after the 1970s by a ...
Canticle of Simeon (Nunc dimittis) Canticle of the Blessed Virgin (Magnificat) Canticle of the Three Children. Careworn Mother Stood Attending. Come, Creator Spirit. Come Down, O Love Divine. Come, Holy Ghost. Come, Lord, and Tarry Not. Come My Way, My Truth, My Life.
St. John Vianney Seminary. University of Notre Dame. Pontifical Liturgical Institute. Jan Michael Joncas (born December 21, 1951) is a Catholic priest of the Archdiocese of Saint Paul and Minneapolis, liturgical theologian, and composer of contemporary Catholic music [2] best known for his hymn "On Eagle's Wings". [3]
O Mary of Graces is a traditionally Catholic Marian hymn based on an ancient Irish prayer to Mary, the mother of Jesus. Two versions of the hymn exist based on differing translations made of the original prayer by Priest Douglas Hyde and J. Rafferty, with the Hyde version being more popular. In modern history, the hymn has been present in a ...
The most-prominent hymn version of the prayer is "Make Me a Channel of Your Peace", or simply "Prayer of St. Francis", adapted and set to a chant-like melody in 1967 by South African songwriter Sebastian Temple (born Johann Sebastian von Tempelhoff, 1928–1997), who had become a Third Order Franciscan.
Bernadette Farrell. Bernadette Farrell (born 26 March 1957) is a British hymnographer and composer of Catholic liturgical music. Among her compositions are "Christ, Be Our Light,” "Restless Is The Heart," "God, Beyond All Names" and "O God, You Search Me."
"O sanctissima" (O most holy) is a Roman Catholic hymn in Latin, seeking the prayers of the Blessed Virgin Mary, and often sung in various languages on her feast days.The earliest known publication was from London in 1792, presenting it as a traditional song from Sicily; no original source or date has been confirmed for the simple melody or poetic text.
The hymn expresses the doctrine that the bread and wine are changed into the body and blood of Christ during the celebration of the Eucharist. It is often sung in English as the hymn "Of the Glorious Body Telling" to the same tune as the Latin. The opening words recall another famous Latin sequence from which this hymn is derived: Pange lingua ...