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The album was produced by Richard Siluma and Simon Law. [6] The title track, about black-on-black crime, references Bob Marley's "Redemption Song". [7] [8] "Keep On Knocking" is about the love of a mother for her child. [9] Lucky Dube based his lyrics on the experiences of real people, rather than news coverage of political events. [10]
Lucky Philip Dube (pronounced duu-beh; [1] 3 August 1964 – 18 October 2007) was a South African reggae musician and Rastafarian. His record sales across the world earned him the Best Selling African Musician prize at the 1996 World Music Awards. In his lyrics, Dube discussed issues affecting South Africans and Africans in general to a global ...
It should only contain pages that are Lucky Dube albums or lists of Lucky Dube albums, as well as subcategories containing those things (themselves set categories). Topics about Lucky Dube albums in general should be placed in relevant topic categories .
petertosh.com. Winston Hubert McIntosh OM GCOT (19 October [1] 1944 – 11 September 1987), professionally known as Peter Tosh, was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the core members of the band the Wailers (1963–1976), after which he established himself as a successful solo artist and a ...
Lucky Dube was the first major South African artists; his style was modelled most closely on that of Peter Tosh. Into the 1990s, Lucky Dube was one of the best-selling artists in South African history, especially his 1990 album Slave.
Tabu Records, in its deal with CBS, became associated with Sony Music Entertainment in November 1987 when the Japanese group bought CBS Records. During this period, Tabu released Diamonds in the Raw (1989) by the S.O.S. Band, which performed disappointingly. In 1991, Alexander O'Neal's All True Man was the last album Tabu Records released under ...
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History. Joseph Shabalala formed Ladysmith Black Mambazo because of a series of dreams he had in 1964, in which he heard certain isicathamiya harmonies (isicathamiya being the traditional music of the Zulu people). Following their local success at wedding ceremonies and other gatherings, Shabalala entered them into isicathamiya competitions.
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