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Thirteen Treasures of the Island of Britain, consisting of the Dyrnwyn, the Hamper of Gwyddno Garanhir, the Horn of Brân Galed, the Chariot of Morgan Mwynfawr, the Halter of Clydno Eiddyn, the Knife of Llawfrodedd the Horseman, the Cauldron of Dyrnwch the Giant, the Whetstone of Tudwal Tudglyd, the Coat of Padarn Beisrudd, the Crock and Dish ...
Chi You. Legendary weapons, arms, and armor are important motifs in Chinese mythology as well as Chinese legend, cultural symbology, and fiction. Weapons featured in Chinese mythology, legend, cultural symbology, and fiction include Guanyu's pole weapon (featured in the 14th century historical novel Romance of the Three Kingdoms).
'God of Gamblers 2'), also known as God of Gamblers' Return and The Return of the God of Gamblers , is a 1994 Hong Kong action-drama-comedy film written and directed by Wong Jing. It starred Chow Yun-fat , Tony Leung Ka-fai , Sharla Cheung , Charles Heung , Jacklyn Wu , and Chingmy Yau .
the Gerber Guardian: A boot knife designed by knife maker Bob Loveless more than twenty years ago. [3] the Gerber Mark II: A fighting knife. [3] the Gerber BMF : A survival knife. [3] the Gerber LMF II Infantry; the Gerber 31-001901 Bear Grylls Ultimate Pro; the Gerber 22-41121 Prodigy Survival Knife; the Gerber Blackie Collins Clip-lock Diving ...
When the Hobo (54HB) is closed, it resembles a regular Trapper. The handle splits apart revealing a separate knife, fork, spoon and bottle opener. Case produced two variations of the Hobo ('51 and '52) from the early 1900s-1940. These were made with two to four utensil implements using a can opener, soup spoon, three-pronged fork, and knife blade.
The Michael Jackson documentary “Leaving Neverland” is officially getting a sequel. An hour-long follow-up film, subtitled “Surviving Michael Jackson,” will debut on the U.K.’s Channel 4 ...
The New Zealander defeated short-notice opponent Martin Bakole with a second-round TKO in the co-main event of the Beterbiev vs. Bivol 2 card in Riyadh. The fight ended in slow motion.
The human target is the essential distinguishing feature of the impalement arts. It has been asserted by several sources, including well-known knife throwers, that the power and appeal of this type of act lies as much in audience appreciation of the target as in admiration of the skill of the thrower or archer. [10]