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This is probably the most reproduced of all Fra Angelico's paintings. Virgin Enthroned with Four Saints; in the Dormitory passage; In The Annunciation, the interior reproduces that of the cell in which it is located. Each cell is decorated with a fresco which matches in size and shape of the single round-headed window beside it.
The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder , and was completed sometime between 1438 and 1443.
The Fiesole Altarpiece is a painting by the Italian early Renaissance master Fra Angelico, executed around 1424–1425. It is housed in the Convent of San Domenico, Fiesole , central Italy . The background was repainted by Lorenzo di Credi in 1501.
The work was painted for a side altar in the Convent of San Domenico, Fiesole, where Fra Angelico was a friar.For the same church he also contributed the main altarpiece, showing the Virgin and Child Enthroned with Dominican saints (c. 1425) and the Coronation of the Virgin, now in the Louvre (c. 1424–1435) .
The tabernacle is composed of a rectangular marble frame, with a triangular top with a sculpted almond depicting the "Blessing Christ and Cherubim". In the center, within an arched opening, are Fra Angelico's panel of the Maestà with twelve musician angels. At the front are two shutter panels with further paintings of saints.
The two male saints were both Dominicans. A similar fresco from c.1438 of the Madonna and Child with St Dominic and St Peter Martyr by the same artist survives above the doorway of the church of San Domenico in Cortona, whilst the same artist's Crucifixion with Mourners and St Dominic (Louvre) originated at San Domenico in Fiesole. [2]
The Niccoline Chapel (Italian: Cappella Niccolina) is a chapel in the Apostolic Palace in Vatican City.It is especially notable for its fresco paintings by Fra Angelico (1447–1451) and his assistants, who may have executed much of the actual work.
The work is not thought to have originally been painted around 1434 (a few years after the similar painting in the Uffizi) for the convent of San Domenico of Fiesole, near Florence, where Fra Angelico was a Dominican friar and for which he painted also the Fiesole Altarpiece (1424-1425) and the Annunciation now at the Museo del Prado.
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