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The 1998 version was seen as an archive footage clip was featured during the music "Dickie's Dream" by Count Basie in the final episode, "A Masterpiece by Midnight" from the 2001 Ken Burns documentary Jazz. The Gap used Prima's version in a "Khakis Swing" commercial in 1998. [6] Louis Prima's version is used in the 2008 MGM animated film Igor.
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing bands usually featured soloists who would improvise on the melody over the arrangement.
Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Charleston , Balboa , Lindy Hop , and Collegiate Shag .
During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
Hand dancers at the 45th Annual Smithsonian Folklife Festival in Washington, D.C., in 2011. Hand dancing, also known as D.C. hand dancing or D.C. swing, is a form of swing dance that can be traced as far back as the 1920s, from Lindy Hop and the Jitterbug, to the 1950s when dancers in the District of Columbia developed their own variety.
Jitterbug is a generalized term used to describe swing dancing. [1] It is often synonymous with the lindy hop dance [2] [3] but might include elements of the jive, east coast swing, collegiate shag, charleston, balboa and other swing dances. [4] Swing dancing originated in the African-American communities of New York City in the early 20th ...
It was a way of thinking perfectly suited to the new market in which vocalists were creating unique identities and hit songs were performed as television skits. [2] Whereas Big Band/Swing music placed the primary emphasis on the orchestration, post-war/early 1950s era Pop focused on the song's story and/or the emotion being expressed.
Developments in dance orchestras and jazz music culminated in swing music during the early 1930s. It brought to fruition ideas originated with Louis Armstrong, Earl Hines, Fletcher Henderson, Duke Ellington, and Jean Goldkette. The swing era also was precipitated by spicing up familiar commercial, popular material with a Harlem-oriented flavor ...