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English afternoon tea (or simply afternoon tea) is a British tradition that involves enjoying a light meal of tea, sandwiches, scones, and cakes in the mid-afternoon, typically between 3:30 and 5 pm. It originated in the 1840s as a way for the upper class to bridge the gap between lunch and a late dinner.
Afternoon tea is a light meal typically eaten between 3:30 pm and 5 pm. Traditionally it consisted of thinly-sliced bread and butter, delicate sandwiches ...
Place of creation: France : Object history: By descent to Mme. Seurat, the artist’s mother (died 1899), Paris, 1891; by descent to Emile Seurat, the artist’s brother; sold for 800 francs to Casimir Brû, Paris, 1900; given by him to his daughter, Lucie, Paris, 1900; Lucie Brû Cousturier and Edmond Cousturier, Paris; sold for $20,000 possibly through Charles Vildrac, Paris to Frederic Clay ...
Tea (meal)#Afternoon tea To a section : This is a redirect from a topic that does not have its own page to a section of a page on the subject. For redirects to embedded anchors on a page, use {{ R to anchor }} instead .
Russian tea is brewed and can be served sweet, and hot or cold. It is traditionally taken at afternoon tea, but has since spread as an all day drink, especially at the end of meals, served with dessert. A notable aspect of Russian tea culture is the samovar, which was widely used to boil water for brewing until the middle of the 20th century.
Tea Time is an oil painting on cardboard with dimensions 75.9 x 70.2 cm (29.9 x 27.6 in), signed Metzinger and dated 1911 lower right. The painting represents a barely draped (nude) woman holding a spoon, seated at a table with a cup of tea. In the 'background', the upper left quadrant, stands a vase on a commode, table or shelf.
This logo image consists only of simple geometric shapes or text. It does not meet the threshold of originality needed for copyright protection, and is therefore in the public domain. Although it is free of copyright restrictions, this image may still be subject to other restrictions.
Charles Ephrussi—wealthy amateur art historian, collector, and editor of the Gazette des Beaux-Arts—appears wearing a top hat in the background. The younger man to whom Ephrussi appears to be speaking, more casually attired in a brown coat and cap, may be Jules Laforgue , his personal secretary and also a poet and critic.