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A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
"We Don't Talk Anymore" is a song recorded by Cliff Richard, written by Alan Tarney and produced by the Shadows' rhythm guitarist, Bruce Welch. It was released in 1979 as a single and reached number one in the UK Singles Chart in August 1979, remaining there for four weeks, [4] Richard's tenth UK number one and his first since "Congratulations" in 1968.
Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad ...
"You Don't Love Me Anymore" is a song by American recording artist "Weird Al" Yankovic. It was released as the second single from his seventh studio album Off the Deep End on June 19, 1992. While much of his musical output consists of parodies of other artists' material, "You Don't Love Me Anymore" is an original composition written and ...
They vote in very small percentages. Why, I don’t know. Maybe they’re disappointed in things that are happening,” Trump said. “I say, ‘You don’t vote. I’m saying go out, you must ...
"Anymore" is a song co-written and recorded by American country music artist Travis Tritt. It was released in September 1991 as the second single from his album It's All About to Change . It peaked at No. 1 in both the United States and Canada, becoming his second of such in the United States, and his fourth in Canada.
"You Don't Love Me Anymore" is a song written by Alan Ray and Jeff Raymond, and recorded by American country music artist Eddie Rabbitt. It was released in May 1978 as the second single from the album Variations. The song was Rabbitt's second number one on the country chart.
[1] Biographer Colin Escott states that "on the skimpy evidence of that one song, his style was intact very early...he sings higher than he would in later life, but the timbre of his voice and his phrasing are remarkably similar to his first professional recordings five years later."