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The post-Biblical Hebrew bima (בּימה), 'platform' or 'pulpit', is almost certainly derived from the Ancient Greek word for a raised platform, bema (βῆμα). A philological link to the Biblical Hebrew bama ( בּמה ), 'high place' has been suggested.
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin pulpitum (platform or staging). [1] The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height.
Bhima (Sanskrit: भीम, IAST: Bhīma), also known as Bhimasena (Sanskrit: भीमसेन, IAST: Bhīmasena), is a hero and one of the most prominent figures in the Hindu epic Mahabharata, renowned for his incredible strength, fierce loyalty, and key role in the epic's narrative.
Hikayat (Jawi: حكاية; Gurmukhi: ਹਿਕਾਇਤਾ, romanized: Hikā'itā) is an Arabic word that literally translates to "stories" and is a form of Malay and Sikh literature. This article presents a list of hikayat from various time periods.
Bimah or Bimmah may refer to: . Bema or, in Jewish contexts, bimah: an elevated platform, a dais; also "stage" in Modern Hebrew; Bimah Prefecture in Togo, West Africa; Bimah, Oman, a village in Al Hamra Province, Ad Dakhiliyah Governorate, Oman
Eagle lecterns in stone were a well-established feature of large Romanesque pulpits in Italy. The carved marble eagle on the Pulpit in the Pisa Baptistery by Nicola Pisano (1260) is a famous example, and they also feature on his Siena Cathedral Pulpit (1268), and his son's at Sant' Andrea, Pistoia (Giovanni Pisano, 1301).
Akashic Records: (Akasha is a Sanskrit word meaning "sky", "space" or "aether") In the religion of theosophy and the philosophical school called anthroposophy, the Akashic records are a compendium of all universal events, thoughts, words, emotions and intent ever to have occurred in the past, present, or future in terms of all entities and life ...
"Antependium" is the word used for elaborate fixed altar frontals, which, in large churches and especially in the Ottonian art of the Early Medieval period, were sometimes of gold studded with gems, enamels and ivories, and in other periods and churches often carved stone, painted wood panel, stucco, or other materials, such as azulejo tiling in Portugal.