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Áo dài is the traditional attire of Vietnam, considered a symbol of the graceful and elegant beauty of Vietnamese women. [36] [better source needed] [8] [better source needed] [37] However, besides the praises, áo dài also cannot escape criticism. [38] [39] One of the most common criticisms of áo dài is the excessive renovation.
Most of ancient northern Vietnam was referred as the Lạc Việt which was considered to be part of the Baiyue region in ancient Chinese texts. [1]: 26 Prior to the Chinese conquest, the Tai nobles first came in Northern Vietnam during the Đông Sơn era, and they started to assimilate the local Mon-Khmer and Kra-dai people in a processed referred as Tai-ization or Tai-ification as the Tai ...
Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.
Chinese clothing in the form of trousers and tunic were mandated by the Nguyễn dynasty. As late as the 1920s, in Vietnam's north area in isolated hamlets skirts were still worn. [15] Ming, Tang, and Han dynasty-styled clothing was ordered to be adopted by Vietnamese military and bureaucrats by the Nguyễn lord Nguyễn Phúc Khoát. [16]
Áo bà ba (Vietnamese: [ʔǎːw ɓâː ɓaː], translates to "Grandma's shirt") is a traditional southern Vietnamese garment. The top part that covers the torso is called the áo ("shirt" in English). It is mostly associated with rural southern Vietnam, especially in the Mekong Delta. Often worn as a top and bottom set, the áo bà ba is ...
In traditional Vietnamese culture, kinship plays an important role in Vietnam. Whilst Western culture is known for its emphasis on individualism, Vietnamese culture places value on the roles of family. For specific information, see Vietnamese pronouns. In current rural Vietnam, one can still see three or four generations living under one roof.
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Khăn vấn is a rectangular textile that is long and quite thick, wrapped tightly around the head. According to the decrees of Nguyễn dynasty written in the Historical chronicle of Đại Nam, the Vietnamese initially remained faithful to the Champa style, but gradually adapted styles to suit needs for each social class.
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