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Michael Cook was born on 25 August 1968 in Brisbane, Queensland. [1] He was raised by adoptive parents Ronda and Keith Cook, [2] who were not Indigenous, but brought him up to value and nurture his Aboriginal identity.
Donaldson, Mike, Burrup Rock Art: Ancient Aboriginal Rock Art of Burrup Peninsula and Dampier Archipelago, Fremantle Arts Press, 2010. ISBN 978-0-9805890-1-6; Flood, J. (1997) Rock Art of the Dreamtime:Images of Ancient Australia, Sydney: Angus & Robertson
Wandjina rock art on the Barnett River, Mount Elizabeth Station. The Wandjina, also written Wanjina and Wondjina and also known as Gulingi, are cloud and rain spirits from the Wanjina Wunggurr cultural bloc of Aboriginal Australians, depicted prominently in rock art in northwestern Australia.
Earlwood Aboriginal Art Site is a heritage-listed Aboriginal cultural site at Earlwood, a suburb in Sydney, Australia. It is also known as Aboriginal Art and Midden. It was added to the New South Wales State Heritage Register on 27 November 2009. [1]
Gwion Gwion (Tassel) figures wearing ornate costumes. The Gwion Gwion rock paintings, Gwion figures, Kiro Kiro or Kujon (also known as the Bradshaw rock paintings, Bradshaw rock art, Bradshaw figures and the Bradshaws) are one of the two major regional traditions of rock art found in the north-west Kimberley region of Western Australia.
Bunjil's Shelter, also known as Bunjil's Cave, is an Aboriginal sacred site in the Grampians region of Australia near Stawell. It contains a painting of Bunjil and two dingos or dogs. It is the only known rock art site to represent Bunjil, the creator-being in many Koori cultures.
Contemporary Aboriginal art of the Western Desert began when Aboriginal men at Papunya began painting in 1971, assisted by teacher Geoffrey Bardon. [7] Their work, which used acrylic paints to create designs representing body painting and ground sculptures, rapidly spread across Aboriginal communities of central Australia, particularly following the commencement of a government-sanctioned art ...
Bell works in many media: paintings, video art, installations, text art and performance art.His subjects are largely based on various Indigenous rights issues: the effect of colonialism on Aboriginal people in Australia, which has rendered their history invisible; identity; and the complex issues surrounding the production of Aboriginal art.