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The vases were commissioned by the state from the leading pottery workshops of the day in large numbers. Their canonical shape was set by 530 BC, but the earliest known example is the Burgon vase (British Museum, B130), which depicts Athena's owl nestling on the neck of the vase and on the reverse is a synoris team. This may mean that the vase ...
Silver amphora-rhyton with zoomorphic handles, c. 500 BC, Vassil Bojkov Collection (Sofia, Bulgaria) An amphora (/ ˈ æ m f ər ə /; Ancient Greek: ἀμφορεύς, romanized: amphoreús; English pl. amphorae or amphoras) is a type of container [1] with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and ...
The body of the vase is vast and decorated with human figures and geometric shapes. On the body, there are also short handles. These handles are specific to Dipylon amphoras. The handles tell others that a woman lays in the grave that it marks. At the foot of the vase, there is a hole designated for loved ones to pour libations. [11]
The lower body is shaped like the calyx of a flower, and the foot is stepped. The psykter-shaped vase fits inside it so well stylistically that it has been suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the lower body or "cul". [7]
The Dipylon Amphora (also known as Athens 804) is a large Ancient Greek painted vase, made around 760–750 BC, and is now held by the National Archaeological Museum, Athens. Discovered at the Dipylon cemetery, this stylistic vessel belonging to the Geometric period is credited to an unknown artist: the Dipylon Master.
The classical ceramic decor is dominated mostly by Attic vase painting. Attic production was the first to resume after the Greek Dark Age and influenced the rest of Greece, especially Boeotia , Corinth , the Cyclades (in particular Naxos ) and the Ionian colonies in the east Aegean . [ 28 ]
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