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Repeatedly, the terms artistic freedom and freedom of artistic expressions are used as synonyms. Their underlying concepts "art", "freedom" and "expression" comprise very vast fields of discussion: "Art is a very 'subtle'—sometimes also symbolic—form of expression, suffering from definition problems more than any other form."
The idea of life imitating art is a philosophical position or observation about how real behaviors or real events sometimes (or even commonly) resemble, or feel inspired by, works of fiction and art. This can include how people act in such a way as to imitate fictional portrayals or concepts, or how they embody or bring to life certain artistic ...
With the unassisted Readymade, art changed its focus from the form of the language to what was being said…This change – one from ‘appearance’ to ‘conception’ – was the beginning of ‘modern’ art and the beginning of conceptual art. All art (after Duchamp) is conceptual (in nature) because art only exists conceptually.” [45]
The question the Vatican should answer, according to the leader of the Pontifical Commission for the Protection of Minors, is whether it's time to remove Rupnik's art from Vatican websites and ...
A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures.As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change.
The last two to three decades showed increased public and art community interest in artistic integrity due to the increasing commercial success of certain artforms like film and music alongside additional questioning of aesthetic value due to the politicization and investment of the art industry with this lucrative expectation of monetary benefits.
The dehumanization of art refers to the removal of human elements from these works, eliminating the content, but keeping the form. In his work, Ortega explains how the untrained eye, which is used to seeing only content in traditional paintings, must find a new approach to viewing the work of art.
Art is best appreciated and understood in its original historical and cultural context. [69] Following the return of cultural property, the intangible meaning and aspects of that culture also return, this may promote the return of intangible traditions and educate future generations within indigenous communities.