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In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
pianissimo (pp) very gently (i.e. perform very softly, even softer than piano). This convention can be extended; the more p s that are written, the softer the composer wants the musician to play or sing, thus ppp (pianissimissimo) would be softer than pp. Dynamics in a piece should be interpreted relative to the other dynamics in the same piece.
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. [3] During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population, [8] whereas pop music usually refers to a specific musical genre within popular music. [9]
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when ...
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A Dictionary of Music and Musicians was first published in London by Macmillan and Co. [1] in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume.