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Scattered between the countless provocations are explanations designed to make dim people feel smart and slow ones feel quick-witted as he seems to be under the impression that his childish bars might fly over his listeners' heads", mentioning the song's lyrics concerning the meaning of the word "gay" as an example. [2]
A still from the song's music video showing the main character, a puppet later named "Norman" by fans. The music video, directed by Charlie White, shows a life-sized animatronic puppet who travels via ambulance to a hospital emergency room following a car crash, being examined by real-life actors as he sings the lyrics to the song before breaking into a frantic dance on the operating table. [4]
"Don't You Lie to Me" (sometimes called "I Get Evil" [1]) is a song recorded by Tampa Red in 1940. [2] It became popular with blues artists, leading it to become a blues standard . [ 3 ] The song was also interpreted by rock and roll pioneers Fats Domino and Chuck Berry .
The song, a twelve-bar blues, is punctuated with a syncopated backbeat, brief instrumental improvisations, upper-end piano figures, and intermittent blues harp provided by Wolf. [6] The lyrics caution about the "evil" that takes place in a man's home when he is away, concluding with "you better watch your happy home".
The song was voted the worst song of all time by a panel of professional music writers and industry experts published in a 2003 Q poll, which deemed it "magnificently dreadful" and reminiscent of "the school disco you were forced to attend, your middle-aged relatives forming a conga at a wedding party, a travelling DJ act based in Wolverhampton ...
"Evil" is a single by the band Earth, Wind & Fire which was issued in June 1973 by Columbia Records. [1] The song peaked at No. 19 on the Billboard Easy Listening chart and No. 25 on the Hot Soul Singles chart.
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According to Jan, seven more songs were made into a demo format before ultimately being recorded and put into the album's track listing. [5] The project's liner notes explain that a mixture of ballads and uptempo songs were included to fit a wide array of listening audiences. Along with the title track, Harlan Howard composed five songs on the ...