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Despite criticisms that much of the album was little more than a note for note reproduction of highlights from their previous four studio albums, [10] the album reached No. 55 in the US. [8] Renaissance were the first British band to sell out three consecutive nights at Carnegie Hall. [2] They were joined on stage by the New York Philharmonic ...
For Turn of the Cards, Renaissance again made use of De Lane Lea Studios and co-producer/engineer Dick Plant. Richard Gottehrer, co-founder of Renaissance's new American record label Sire Records, is also credited as co-producer of the album, but according to drummer Terry Sullivan, Gottehrer never set foot inside De Lane Lea Studios and his sole involvement with the album was collaborating on ...
Renaissance was initially released in the UK in 1969 by Island Records as catalogue ILPS-9114; it was also released in America on Elektra as EKS-74068, and by Island in Germany as 87 609 ET. In 1998, Renaissance was reissued by Mooncrest Records in the UK as Innocence. This reissue included six bonus tracks, but the packaging included no ...
Tuscany is the 12th album by the English progressive rock band Renaissance, released in 2001. [1] After a lengthy hiatus, original members Annie Haslam, Michael Dunford, Terence Sullivan and John Tout came together to record a new album, assisted by Roy Wood; Tout was unavailable for the later sessions and was replaced by Mickey Simmonds.
In the Land of the Rising Sun: Live in Japan 2001 is a live album by the English progressive rock band Renaissance. It was released in 2002 by Giant Electric Pea . The album was recorded in Tokyo , Japan in 2001.
Ashes Are Burning is the fourth studio album by the English progressive rock band Renaissance, released in 1973 (see 1973 in music). It was the first of several Renaissance albums to feature (on some songs) an orchestra playing along with the band. It was the band's first album to make the Billboard 200 album chart, peaking at No. 171. [2]
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The suite "Song of Scheherazade", which occupies most of the album's running time, was originally conceived by Renaissance guitarist Michael Dunford as the score for a theatrical musical. He and bassist Jon Camp would work on the musical during lulls in their Renaissance songwriting sessions at Dunford's house in Windlesham . [ 3 ]