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Jane Austen (/ ˈ ɒ s t ɪ n, ˈ ɔː s t ɪ n / OST-in, AW-stin; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the English landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage for ...
Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism.She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels.
Reader, I Married Him: A Study of the Women Characters of Jane Austen, Charlotte Brontë, Elizabeth Gaskell and George Eliot is a 1974 literary criticism by Patricia Beer that examines Victorian literature authors, their characters, and their works. It was reviewed in several publications.
Mothers of the Novel is divided into three parts. Part I treats a series of seventeenth-century women writers, only some of whom would have been familiar to most readers in 1986: Aphra Behn (1640–1689), Margaret Cavendish (1623–1673), Anne Clifford (1590–1676), Anne Fanshawe (1625–1680), Eliza Haywood (1693–1756), [1] Lucy Hutchinson (1618–1681), Delarivière Manley (1663 –1724 ...
Writing about the work of Johnson, Irvine wrote that for her, Austen was a radical because it is women like Emma Woodhouse, Mrs. Elton and Mrs. Churchill who really run Highbury society, undercutting traditional gender roles, but Irvine questioned whether this really made Austen into radical, noting it was the wealth and status of the gentry ...
One of the best known 19th-century female writers was Jane Austen, author of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), who achieved success as a published writer.
The stage adaptation Lady Susan: Jane Austen's Distinguished Flirt by Bonnie Milne Gardner was performed at Ohio Wesleyan University in 1998 [5] and is published by Scripts for Stage. [6] A two-woman version of Lady Susan, adapted by Inis Theatre, played at the Dublin fringe festival in 2001–2. [7]
The text specifically examines Jane Austen, Mary Shelley, Charlotte and Emily Brontë, George Eliot, Elizabeth Barrett Browning, Christina Rossetti and Emily Dickinson.. In the work, Gilbert and Gubar examine the notion that women writers of the nineteenth century were confined in their writing to make their female characters either embody the "angel" or the "monster", a struggle which they ...
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