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"Sweet Caroline" is a song written and performed by American singer Neil Diamond and released in May 1969 as a single with the title "Sweet Caroline (Good Times Never Seemed So Good)". It was arranged by Charles Calello , [ 2 ] and recorded at American Sound Studio in Memphis, Tennessee .
Brother Love's Travelling Salvation Show is the fourth studio album by American singer-songwriter Neil Diamond, released in 1969.Four months after the title cut became a #22 hit, Diamond recorded and released a new single, "Sweet Caroline", which reached #4.
1973, on the vinyl album Hello! - track 5, 4:16. [3]2014, on the album Aquostic (Stripped Bare), track 8, 3:13 (acoustic version); 2015, on the CD album Hello!, CD1, track 5, 4:16; the 2015 re-issue bonus disc has four different versions: original demo fast, original demo slow, mono version and stereo version.
The band's first original release [15] "Levels" Avicii: 2011 Written and produced by Tim Bergling. Contains a sample of "Something's Got a Hold on Me" by Etta James. [16] "I Want It That Way" Backstreet Boys: 1999 Written by Max Martin and Andreas Carlsson [17] "Working Class Man" Jimmy Barnes: 1985 Written by Jonathan Cain [18] "One O'Clock ...
"Caroline, No" is a song by the American musician Brian Wilson that was released as his first solo record on March 7, 1966 and, two months later, reissued as the closing track on the Beach Boys' album Pet Sounds.
The song was released on the album Stones and included as a B-side on the single for the album's title track. [1]The song appears on a number of Diamond's albums, including the live album Hot August Night, which opens with a combination of the instrumental "The Prologue" and "Crunchy Granola Suite".
The Dapper Dans barbershop quartet, at Disneyland's Main Street, USA WPA poster, 1936. Barbershop vocal harmony is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture.
Billboard described the single as an "exciting production [which] features bass piano backing and choral support of Diamond's vocal work." [9] Cash Box said that it is a "lively, pulsating chorus-backed romancer with an infectious repeating riff" that is a "sure-fire blockbuster". [10]