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The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visual form.
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
The creative arts (art as discipline) are a collection of disciplines which produce artworks (art as objects) that are compelled by a personal drive (art as activity) and convey a message, mood, or symbolism for the perceiver to interpret (art as experience). Art is something that stimulates an individual's thoughts, emotions, beliefs, or ideas ...
"The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
The arts are considered various practices or objects done by people with skill, creativity, and imagination across cultures and history, viewed as a group. [1] These activities include painting, sculpture, music, theatre, literature, and more. [2] Art refers to the way of doing or applying human creative skills, typically in visual form. [3] [4]
As with Japanese arts in general, Japanese painting developed through a long history of synthesis and competition between native Japanese aesthetics and adaptation of imported ideas. Ukiyo-e , or "pictures of the floating world," is a genre of Japanese woodblock prints (or " woodcuts ") and paintings produced between the 17th and 20th centuries ...
The Story of Art, by E. H. Gombrich, is a survey of the history of art from ancient times to the modern era. [ 1 ] First published in 1950 by Phaidon , the book is widely regarded both as a seminal work of criticism and as one of the most accessible introductions to the visual arts .
The art of Ancient Greece is usually divided stylistically into three periods: the Archaic, the Classical, and the Hellenistic. The history of Ancient Greek pottery is divided stylistically into periods: the Protogeometric, the Geometric, the Late Geometric or Archaic, the Black Figure, and the Red Figure.