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Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [ 2 ] he was the first-ever to be recognized as a National Artist of the Philippines . [ 3 ]
The collection traces its roots to the late Fernando Zóbel (1920–1984). Painter, art scholar and teacher at the Ateneo, Zóbel donated over 200 artworks to form a study collection for university students. First housed in Bellarmine Hall in 1961, it moved to the ground floor of Rizal Library in 1967, and moved to the Arts Wing in Areté in 2017.
Don Fabián de la Rosa y Cueto (May 5, 1869 – December 14, 1937) was a Filipino painter. He was the uncle and mentor to the Philippines' national artist in painting, Fernando Amorsolo , and to his brother Pablo . [ 1 ]
Among its collections is a commissioned copy of Ritual Dance by Fernando Amorsolo-the original copy is lost in 1972, and the History of Philippine Music dated 1931. The Parisian Life by Juan Luna estimated in 2009 to value around P200 million, was formerly part of the museum's collections but was transferred to the National Museum of Fine Arts ...
Works of National Artists of the Philippines — artworks and landmarks created−designed by honored recipients of the National Artist of the Philippines Order
Displayed on opposite sides of the foyer are two mural paintings by National Artist Fernando Amorsolo, titled The Dance and The History of Music. [8] Since the 1996 foreclosure, the original murals are in the GSIS Museum and so reproductions were made for the NCCA-led restoration. [ 10 ]
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Fabián de la Rosa, the mentor and uncle of Fernando Amorsolo and his brother Pablo Amorsolo (1898–1945) had his own technique of painting women. De la Rosa painted a group of Women Working in a Rice Field in 1902 and his portrait of a Young Filipina in 1928. Pablo Amorsolo himself painted his own rendition of a female Fruit Vendor (undated).