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  2. Traditional sub-Saharan African harmony - Wikipedia

    en.wikipedia.org/wiki/Traditional_sub-Saharan...

    Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).

  3. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    List of chord progressions. The following is a list of commonly used chord progressions in music. Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.

  4. Pachelbel's Canon - Wikipedia

    en.wikipedia.org/wiki/Pachelbel's_Canon

    Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major.

  5. Yesterday (song) - Wikipedia

    en.wikipedia.org/wiki/Yesterday_(song)

    It is this frequent use of the minor, and the ii–V7 chord progression (Em and A 7 chords in this case) leading into it, that gives the song its melancholic aura. The A 7 chord is an example of a secondary dominant, specifically a V/vi chord. The G 7 chord in the bridge is another secondary dominant, in this case a V/V chord, but rather than ...

  6. Coltrane changes - Wikipedia

    en.wikipedia.org/wiki/Coltrane_changes

    Coltrane developed this modified chord progression for "Countdown", which is much more complex. At its core, "Countdown" is a variation of "Tune Up", [ 13 ] but the harmonic substitutions occur rapidly and trick the listener into thinking that they are listening to a completely unrelated tune.

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F. V ...

  8. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music ...

  9. Polonaise in A-flat major, Op. 53 - Wikipedia

    en.wikipedia.org/wiki/Polonaise_in_A-flat_major...

    Original autograph score, 1842. The Polonaise in A♭ major, Op. 53 (French: Polonaise héroïque, Heroic Polonaise; Polish: Heroiczny) is a solo piano piece composed by Frédéric Chopin in 1842 [1] The piece is published in 1843, [2] and is one of Chopin's most admired compositions and has long been a favorite of the romantic piano repertoire ...