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Sound masking is the inclusion of generated sound (commonly, though inaccurately, referred to as "white noise" or "pink noise") into an environment to mask unwanted sound. It relies on auditory masking. Sound masking is not a form of active noise control (noise cancellation technique); however, it can reduce or eliminate the perception of sound ...
In audio signal processing, auditory masking occurs when the perception of one sound is affected by the presence of another sound. [1] Auditory masking in the frequency domain is known as simultaneous masking, frequency masking or spectral masking. Auditory masking in the time domain is known as temporal masking or non-simultaneous masking.
Manufacturers of sound-masking devices recommend that the volume of white noise machines be initially set at a comfortable level, even if it does not provide the desired level of privacy. As the ear becomes accustomed to the new sound and learns to tune it out, the volume can be gradually increased to increase privacy.
Two qualities of a tinnitus masker need to be taken into account: how effective the masking is, and how intrusive or distracting the generated sound itself is. The masking sound may have various temporal, spectral and amplitudinal characteristics. In some cases, the sound is tuned to the pitch, loudness and other qualities of the tinnitus.
Industrial noise control is a subset of interior architectural control of noise, with emphasis on specific methods of sound isolation from industrial machinery and for protection of workers at their task stations. Sound masking is the active addition of noise to reduce the annoyance of certain sounds, the opposite of soundproofing.
Audio masking graph. Suppose a listener can hear a given acoustical signal under silent conditions. When a signal is playing while another sound is being played (a masker), the signal has to be stronger for the listener to hear it. The masker does not need to have the frequency components of the original signal for masking to happen.
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