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Hafez, The Poems of Hafez. Trans. Reza Ordoubadian. Ibex Publishers, 2006 ISBN 978-1-58814-019-7; Hafez, The Green Sea of Heaven: Fifty ghazals from the Diwan of Hafiz. Trans. Elizabeth T. Gray, Jr. White Cloud Press, 1995 ISBN 1-883991-06-4; Hafez, The Angels Knocking on the Tavern Door: Thirty Poems of Hafez. Trans. Robert Bly and Leonard ...
The Divān of Hafez (Persian: دیوان حافظ) is a collection of poems written by the Iranian poet Hafez. Most of these poems are in Persian, but there are some macaronic language poems (in Persian and Arabic) and a completely Arabic ghazal. The most important part of this Divān is the ghazals.
Shirazi Turk is a ghazal (love poem) by the 14th-century Persian poet, Hāfez of Shiraz.It has been described as "the most familiar of Hafez's poems in the English-speaking world". [1]
Sālhā del talab-ē jām-e Jam az mā mīkard is a ghazal by the 14th-century Persian poet Hāfez of Shiraz.It is no. 142 [1] (but in the Ganjoor website, no. 143) in The Divān of Hafez by Muhammad Qazvini and Qasem Ghani (1941), and 136 in the edition of Parviz Natel-Khanlari (1983, 2nd ed.).
Dūš dīdam ke malā'ek dar-e meyxāne zadand is a ghazal by the 14th-century Persian poet Hafez of Shiraz.The poem is no. 184 in the edition of Hafez's works by Muhammad Qazvini and Qasem Ghani (1941), [1] and 179 in the edition of Parviz Natel-Khānlari (2nd ed. 1983).
The poem Mazra'-ē sabz-e falak ("the Green Farmland of the Sky") is a ghazal (love song) by the 14th-century Persian poet Hafez of Shiraz.It has been called "the second most debated ghazal of Hafiz, the first being the Shirazi Turk". [1]
The European figure skating championships carried on Thursday, even as the skating world mourned athletes who died when an American Airlines jet collided with an Army helicopter near Washington, D.C.
Sīne mālāmāl-e dard ast ("My heart is brimful of pain") is a nine-verse ghazal (love-song) by the 14th-century Persian poet Hafez of Shiraz.It is no. 470 in the edition by Muhammad Qazvini and Qasem Ghani (1941) and 461 in the edition of Parviz Natel-Khanlari (1983).