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Sound quality is typically an assessment of the accuracy, fidelity, or intelligibility of audio output from an electronic device. Quality can be measured objectively, such as when tools are used to gauge the accuracy with which the device reproduces an original sound; or it can be measured subjectively, such as when human listeners respond to ...
EBU R 128 is a recommendation for loudness normalisation and maximum level of audio signals. It is primarily followed during audio mixing of television and radio programmes and adopted by broadcasters to measure and control programme loudness. [1]
Dynamic range can also be enhanced with oversampling at signal reconstruction, absent oversampling at the source. Consider 16× oversampling at reconstruction. Each sample at reconstruction would be unique in that for each of the original sample points sixteen are inserted, all having been calculated by a digital reconstruction filter. The ...
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
The Circuit Merit system is a measurement process designed to assess the voice-to-noise ratio in wired and wireless telephone circuits, [1] especially the AMPS system, [2] and although its reporting scale is sometimes used as input for calculating mean opinion score, [3] the rating system is officially defined relative to given ranges of voice-to-noise ratios.
An LP made out of perfect vinyl would have a theoretical dynamic range of 70 dB, [6] though measurements indicate actual performance in the 60 to 70 dB range. [7] [failed verification] Compare this to digital recording. Typically, a 16-bit digital recording has a dynamic range of between 90 and 95 dB. [8]: 132
Most modern quality amplifiers have >110 dB dynamic range, [7] which approaches that of the human ear, usually taken as around 130 dB. See Programme levels. Phase distortion, Group delay, and Phase delay A perfect audio component will maintain the phase coherency of a signal over the full range of frequencies. Phase distortion can be extremely ...
Broadcast audio must have a good signal-to-noise ratio, where speech or music is a bare minimum of 16db above the noise of the recording or transmission system. For audio that has a much poorer signal-to-noise ratio (like cockpit voice recorders ), sonic enhancement is recommended.