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In classical architecture, an architrave (/ ˈ ɑːr k ɪ t r eɪ v /; from Italian architrave 'chief beam', also called an epistyle; [1] from Ancient Greek ἐπίστυλον (epistylon) 'on the column') is the lintel or beam, typically made of wood or stone, that rests on the capitals of columns.
A gutta (Latin pl. guttae, "drops") is a small water-repelling, cone-shaped projection used near the top of the architrave of the Doric order in classical architecture. At the top of the architrave blocks, a row of six guttae below the narrow projection of the taenia (fillet) formed an element called a regula .
The Corinthian architrave is divided in two or three sections, which may be equal, or may bear interesting proportional relationships, to one with another. Above the plain, unadorned architrave lies the frieze, which may be richly carved with a continuous design or left plain, as at the U.S. Capitol extension. At the Capitol the proportions of ...
An architectural drawing or architect's drawing is a technical drawing of a building (or building project) that falls within the definition of architecture.Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to convince clients of the merits of a design, to assist a building ...
The architrave corner needed to be left "blank", which is sometimes referred to as a half, or demi-, metope (illustration, V., in Spacing the Columns above). The Roman architect Vitruvius , following contemporary practice, outlined in his treatise the procedure for laying out constructions based on a module, which he took to be one half a ...
Plans are usually "scale drawings", meaning that the plans are drawn at specific ratio relative to the actual size of the place or object. Various scales may be used for different drawings in a set. For example, a floor plan may be drawn at 1:50 (1:48 or 1 ⁄ 4 ″ = 1′ 0″) whereas a detailed view may be drawn at 1:25 (1:24 or 1 ⁄ 2 ...
In geometry, straightedge-and-compass construction – also known as ruler-and-compass construction, Euclidean construction, or classical construction – is the construction of lengths, angles, and other geometric figures using only an idealized ruler and a compass.
Similar visual effects are more often achieved by giving column shafts several flat faces. The Heliodorus pillar of about 113 BC has three different zones with 8, 16 and 32 flat faces (lowest first), with a round zone above that. [31] Fluting was also used in capitals, in contrast to the Greco-Roman tradition.