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Dorothea Margaret Tanning (25 August 1910 – 31 January 2012) was an American painter, printmaker, sculptor, writer, and poet. Her early work was influenced by Surrealism . Biography
Max Ernst's life and career are examined in Peter Schamoni's 1991 documentary Max Ernst. Dedicated to the art historian Werner Spies, it was assembled from interviews with Ernst, stills of his paintings and sculptures, and the memoirs of his wife Dorothea Tanning and son Jimmy. The 101-minute German film was released on DVD with English ...
The invited artists were Ivan Le Lorraine Albright, Eugène Berman, Leonora Carrington, Salvador Dalí, Paul Delvaux, Max Ernst, O. Louis Guglielmi, Horace Pippin, Abraham Rattner, Stanley Spencer, and Dorothea Tanning. All contestants except Fini did deliver a painting.
In 1946, she married Man Ray, in a double wedding with their friends Max Ernst and Dorothea Tanning. From 1951, they lived in a studio in Paris near the Luxembourg Gardens until his death in 1976 at the age of 86.
They married in 1946 in a double wedding with their friends Max Ernst and Dorothea Tanning. They were also close friends with Black Dahlia suspect George Hodel and his second wife Dorothy Harvey (also known as Dorero). George Hodel’s son Steve Hodel even proposes that the staging of the murder was an homage to Man Ray’s surrealist creations ...
Dadaist Max Ernst and Surrealist Dorothea Tanning arrived from New York in the late 1940s, when the town was populated by less than 500 ranchers, orchard workers, merchants, and small Native American communities. [17]
Dorothea Tanning (1910–2012), American painter, sculptor, printmaker, writer, and poet, whose early work was influenced by surrealism. She became part of the circle of surrealists in New York in the 1940s, and was married to fellow surrealist Max Ernst for 30 years. [9]
Many artists, including Martin Schongauer, Hieronymus Bosch, Joos van Craesbeeck, Dorothea Tanning, Max Ernst, Leonora Carrington and Salvador Dalí, have depicted these incidents from the life of Anthony; in prose, the tale was retold and embellished by Gustave Flaubert in The Temptation of Saint Anthony. [28]