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"High" is a song by English rock band the Cure, released as the lead single from their ninth album, Wish (1992), on 16 March 1992. The track received mostly positive reviews and was commercially successful, reaching number one on the US Billboard Modern Rock Tracks chart, number six on the Irish Singles Chart, and number eight on the UK Singles Chart.
Shortly after its release, Smith said, "It just happened that the main character in the book had actually killed an Arab, but it could have been a Scandinavian or an English bloke." [3] In 2003, Smith acknowledged that, "If I knew it before, I would have called it 'Standing on the Beach'. It would have avoided many troubles." [4]
The Cure at Troy: A Version of Sophocles' Philoctetes is a verse adaptation by Seamus Heaney of Sophocles' play Philoctetes. It was first published in 1991. [1] The story comes from one of the myths relating to the Trojan War. It is dedicated in memory of poet and translator Robert Fitzgerald. [2]
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Neuromancer has many literary progenitors. Detective fiction, like the work of Raymond Chandler, is frequently cited as an influence on Neuromancer. For example, critics note similarities between Gibson's Case and Chandler's Philip Marlowe: Case is described as a "cowboy" and a "detective" and is involved in a heist; [12] Molly, the novel's primary female character, has connections to the ...
Pearl Thompson (born Paul Stephen Thompson; [1] 8 November 1957) is an English musician and artist.Thompson is best known as a member of the English alternative rock band The Cure from 1983 to 1993 and from 2005 to 2011, during which he was credited as Porl Thompson and played mainly guitar with occasional keyboards and saxophone.
The cure did not work and he presumably passed away recently. At the same time, another woman visits a grave right across from Little Chuan's. She is the mother of the executed revolutionary. The two women behold, for a time, a wreath of red and white flowers left on the grave of the executed man.
Scholarly analysis of the novel has underscored its feminist themes, its exploration of class differences, and its contribution to World War I literature. By focusing on the oft-ignored experiences of women during times of war, '''Not So Quiet''' presents a compelling counter-narrative to the more romanticized or hero-centric war stories.