Search results
Results from the WOW.Com Content Network
The dabakan is a single-headed [4] Philippine drum, ... The origin of the name "dabakan," is said to have been borrowed and adapted from the Middle East. Dabakan is ...
Ensembles didn't necessary have to have five instruments like formal performances: they could be composed of only four instruments (three gandingan gongs, a kulintang, an agung, and a dabakan), three instruments (a kulintang, a dabakan, and either an agung or three gandingan gongs) or simply just one instrument (kulintang solo). [12]
Canave-Dioquino, Corazon. "Philippine Music Instruments". National Commission for Culture and the Arts.Archived from the original on December 1, 2008; Manuel, E. Arsenio (1978).
Dabakan: Philippines Unpitched 211 Membranophone Although shape is variously described as goblet, hourglass, conical, or tubular. Daf: Iran Unpitched 211.311 Membranophone Also known as Dafli, Dap, Def, Tef, Defi, Gaval, Duf, and larger ones defi or daire: Damaru: South Asia Unpitched 212 Membranophone Type of Pellet drum. Damphu: Nepal Unpitched
The Maguindanao kulintang ensemble, called basalen or palabunibuniyan is the traditional gong chime ensemble of the Maguindanao.Other forms of the kulintang ensembles are played in parts of Southeast Asia especially in the eastern parts of Maritime Southeast Asia — southern Philippines, eastern Indonesia, eastern Malaysia, Brunei and Timor. [1]
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
Traditionally among the Maguindanao, the main function of the gandingan was its use as a secondary melodic instrument after the kulintang in the kulintang ensemble. In olden style of play, strictly done by women, the patterns used function to feature/highlight/reinforce the rhythmic modes already established by the singular babendil and dabakan.
Origin Common classification Relation Celesta-struck idiophone-metallophone-set of percussion plaques: 111.222: gaiaphone: France. Metal plates or plaques struck with hammers that are attacked to keyboard. Although a percussion instrument, the celesta is used in the orchestral keyboard section rather than the percussion section. pitched ...