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Dabakan is derived from the word, dbak meaning to "hit, strike, or beat," meaning that the dabakan is something upon which you hit. Scholars also suggest that another clue is that the dabakan may have been an adaptation and enlargement of a pan-Arabic goblet drum , the dombak / tombak .
"Zabadak!" is a song by British musical group Dave Dee, Dozy, Beaky, Mick and Tich, written by Ken Howard and Alan Blaikley. [2] It was released as a single in September 1967, peaking at number 3 on the UK Singles Chart and becoming the group's only single to chart on the Billboard Hot 100, peaking at number 52.
Ensembles didn't necessary have to have five instruments like formal performances: they could be composed of only four instruments (three gandingan gongs, a kulintang, an agung, and a dabakan), three instruments (a kulintang, a dabakan, and either an agung or three gandingan gongs) or simply just one instrument (kulintang solo). [12]
Traditionally among the Maguindanao, the main function of the gandingan was its use as a secondary melodic instrument after the kulintang in the kulintang ensemble. In olden style of play, strictly done by women, the patterns used function to feature/highlight/reinforce the rhythmic modes already established by the singular babendil and dabakan.
The Maguindanao kulintang ensemble, called basalen or palabunibuniyan is the traditional gong chime ensemble of the Maguindanao.Other forms of the kulintang ensembles are played in parts of Southeast Asia especially in the eastern parts of Maritime Southeast Asia — southern Philippines, eastern Indonesia, eastern Malaysia, Brunei and Timor. [1]
Dabakan: Philippines Unpitched 211 Membranophone Although shape is variously described as goblet, hourglass, conical, or tubular. Daf: Iran Unpitched 211.311 Membranophone Also known as Dafli, Dap, Def, Tef, Defi, Gaval, Duf, and larger ones defi or daire: Damaru: South Asia Unpitched 212 Membranophone Type of Pellet drum. Damphu: Nepal Unpitched
This is considered a relatively recent instrument and surprisingly many of them are only made of tin-can. Like the kulintang a kayo, it is used only for self-entertainment purpose in the home, to train beginners on new songs before using the kulintang and in America, master artists have been training students en masse on these instruments. [1]
The song is known world-wide thanks to the interpretation of South African singer Miriam Makeba (herself a Xhosa). In her discography the song appears in several versions, both with the title Qongqothwane and as The Click Song. The song was written and originally performed by The Manhattan Brothers who made it famous across Africa. Miriam was ...