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Brunelleschi used white walls in the Old Sacristy, which later became a common element of Renaissance architecture. Leon Battista Alberti (who wrote in 1450 the standard text of Renaissance art) argued that, since classical times, according to prominent authors like Cicero and Plato , white was the only color suitable for a temple or church and ...
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
Brunelleschi also returned several times to find inspiration for what was the Renaissance art. [7] While in Florence, Masaccio , first great Italian painter of the Quattrocento , became friends with Brunelleschi and Donatello, and at their prompting in 1423 travelled to Rome, along with his mentor Masolino .
The city is so rich in art that some visitors experience Stendhal syndrome as they encounter its art for the first time. [84] The Uffizi Gallery is the 10th most visited art museum in the world. Florentine architects such as Filippo Brunelleschi (1377–1466) and Leon Battista Alberti (1404–1472) were among the fathers of Renaissance ...
The origin of Renaissance architecture is generally accredited to Filippo Brunelleschi (1377–1446). [2]: 243 Brunelleschi and his contemporaries wished to bring greater "order" to architecture, resulting in strong symmetry and careful proportion. The movement grew from scientific observations of nature, in particular, human anatomy.
The most common argument for crediting Brunelleschi is the chapel's clear similarity to the Old Sacristy; others argue that his style had developed in the twenty-year interim and that the Pazzi Chapel would represent a retrograde step. [4] The first written mention of Brunelleschi as the architect was written by an anonymous author in the 1490s ...
At the extreme right, a group of four bystanders should personify Masaccio (looking away from the painting), Masolino (the shortest one), Leon Battista Alberti (in the foreground); and Filippo Brunelleschi (the last). The frequent use of portraiture makes the imaginary world of painting and the viewer's personal experience converge.
The person generally credited with bringing about the Renaissance view of architecture is Filippo Brunelleschi, (1377–1446). [16] The underlying feature of the work of Brunelleschi was "order". Ospedale degli Innocenti in Florence.