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A pillar of liminal spaces is the absence of living things, particularly other people, with the implication that the viewer is alone; this lack of presence is "liminal in a temporal way, that occupy a space between use and disuse, past and present, transitioning from one identity to another."
In most cases, they're abandoned or empty (of people) spaces: offices, streets, corridors, hotel hallways, etc. Liminal spaces gained a lot of popularity in 2019 when a post on 4chan about The ...
The map poses as a small tribute made in honor of the creator's deceased friend, claiming that the house is a recreation of a real suburban house. It draws inspiration from House of Leaves and later reveals itself to be a liminal horror game as the player discovers more areas of the house. As the house is explored, its shape changes, and new ...
The Terminal (2004), is a US film in which the main character (Viktor Navorski) is trapped in a liminal space; since he can neither legally return to his home country Krakozhia nor enter the United States, he must remain in the airport terminal indefinitely until he finds a way out at the end of the film.
The original Backrooms image posted on 4chan, of a HobbyTown under renovation.. The Backrooms are a fictional location originating from a 2019 4chan thread. One of the best known examples of the liminal space aesthetic, the Backrooms are usually portrayed as an impossibly large extradimensional expanse of empty rooms, accessed by exiting ("no-clipping out of") reality.
Grunge lit (an abbreviation for "grunge literature") is an Australian literary genre usually applied to fictional or semi-autobiographical writing concerned with dissatisfied and disenfranchised [1] young people living in suburban or inner-city surroundings, or in "in-between" spaces that fall into neither category (e.g., living in a mobile ...
The Suburban Home Show at Rockland Community College continues until Sunday, Feb. 25. Here's what a local business owner says is the hottest trend.
Small Town Horror, by Ronald Malfi. The title of Malfi’s latest novel sets expectations of Stephen King or Norman Rockwell’s Americana. It turns out to be much stranger than that.