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E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
Triads (or any other tertian chords) are built by superimposing every other note of a diatonic scale (e.g., standard major or minor scale). For example, a C major triad uses the notes C–E–G. This spells a triad by skipping over D and F. While the interval from each note to the one above it is a third, the quality of those thirds varies ...
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
Thus, this upper structure can be called upper structure flat three, or US ♭ III for short. Other possible upper structures are: USII – e.g. D major over C 7, resulting in C 13 ♯ 11; US ♭ V – e.g. G ♭ major over C 7, resulting in C 7 ♭ 9 ♯ 11; US ♭ VI – e.g. A ♭ major over C 7, resulting in C 7 ♯ 9 ♭ 13; USVI – e.g ...
The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:
In a minor key triads i and iv are minor chords, but in chord V the leading-tone is generally raised to form a major chord. [2] For example, in A minor the primary triads are Am, Dm and E. Chord v (minor) in a minor key might be expected to be a primary triad, but its use is rare in common practice harmony.
In major scales, a diminished triad occurs only on the seventh scale degree. For instance, in the key of C, this is a B diminished triad (B, D, F). Since the triad is built on the seventh scale degree, it is also called the leading-tone triad. This chord has a dominant function.
In music, the mediant (Latin: "being in the middle" [1]) is the third scale degree of a diatonic scale, being the note halfway between the tonic and the dominant. [2] In the movable do solfège system, the mediant note is sung as mi. While the fifth scale degree is almost always a perfect fifth, the mediant can be a major or minor third.