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The arts in the Philippines reflect a range of artistic influences on the country's culture, including indigenous art. Philippine art consists of two branches: traditional [1] and non-traditional art. [2] Each branch is divided into categories and subcategories.
The culture of the Philippines is characterized by great ethnic diversity. [1] Although the multiple ethnic groups of the Philippine archipelago have only recently established a shared Filipino national identity, [2] their cultures were all shaped by the geography and history of the region, [3] [4] and by centuries of interaction with neighboring cultures, and colonial powers.
A recipient of the award, a National Living Treasure or Manlilikha ng Bayan is "a Filipino citizen or group of Filipino citizens engaged in any traditional art uniquely Filipino, whose distinctive skills have reached such a high level of technical and artistic excellence and have been passed on to and widely practiced by the present generations ...
The Legislative Building during the 1930s. The building was originally designed by the Bureau of Public Works (precursor of the Department of Public Works and Highways) Consulting Architect Ralph Harrington Doane [4] and Antonio Toledo in 1918, and was intended to be the future home of the National Library of the Philippines, according to the Plan of Manila of Daniel H. Burnham. [5]
The Order of National Artists of the Philippines (Tagalog: Orden ng mga Pambansang Alagad ng Sining ng Pilipinas) is an order bestowed by the President of the Philippines on Philippine nationals who have made significant contributions to the development of Philippine art. Members of the order are known as National Artists.
By introducing modern ideas into the Philippine art scene, Victorio Edades managed to destroy the conventions of domestic art, and also got rid of the clichéd ideology he believed stunted the development of Philippine art. His defiance to what the Conservatives structured as ‘art’ was a conscious call for real artistic expression.
University of the Philippines, where Magsaysay-Ho studied at its School of Fine Arts. Anita Magsaysay was born in 1914 in Manila. Her parents were Armilla Corpus and Ambrosio Magsaysay, an engineer. A cousin of Anita was Philippine President Ramon Magsaysay, whose father Exequiel was a brother of Ambrosio
In January 2004, The Parisian Life’s final destination for the tour was the University of Santo Tomas’s Museum of Arts and Sciences (the oldest museum in the Philippines), where other two Luna paintings are parts of the university’s art collection, namely the Playa de Kamakura (“Kamakura Bay”) and The Italian Soldier. [2]