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Malinche, un musical de Nacho Cano (or Malinche) is a Spanish-language stage musical, based on the life of the Nahuan slave known as La Malinche. [1] It premiered at the IFEMA Fairground in Madrid in 2022, [2] [3] [4] and will be produced in Mexico featuring a Mexican cast. [5] [6] An English-language production has also been performed by the ...
"Las sinfonías de Carlos Chávez." (part 1) Pauta: Cuadernos de teoría y crítica musical 6, no. 21 (January–March): 63–75. Reprinted as "Las sinfonías de Carlos Chávez" in: Julián Orbón. En la esencia de los estilos y otros ensayos, foreword by Julio Estrada, 148–158. Madrid: Editorial Colibrí, 2000.
Sinfonía de Antígona (Antigone Symphony) is Carlos Chávez's Symphony No. 1, composed in 1933. The music originated as theatre music to accompany the tragedy of Antigone, hence the title of the symphony. The material was reworked into a single movement and rescored for a large orchestra. It lasts about 11 minutes in performance.
The score of Janitzio was completed on 31 July 1933 [1] and was premiered under the composer's baton. According to some sources, this was by the Orquesta Sinfónica de México in the Teatro Hidalgo in Mexico City on 8 December 1933;([2] [3] However, before it was unveiled to the audiences of the OSM, Revueltas had conducted it at the Palacio de Bellas Artes with the Orquesta del Conservatorio ...
El gato montés ("The Wild Cat") is an opera in three acts composed by Manuel Penella who also wrote the Spanish-language libretto. It premiered on 23 February 1916 at the Teatro Principal in Valencia . [ 1 ]
The Libro de tonos humanos Madrid 1656 (Biblioteca Nacional, M-1262) is the most substantial Iberian cancionero of the 17th Century with over 200 songs, almost all romances with estribillo in 4 voices. [8] Additional surviving sources include the Mackworth manuscript. [9] The tono was used both in theatre music, domestic music and church music.
Julián Orbón de Soto [1] (August 7, 1925, Avilés, Spain – May 21, 1991, Miami, Florida [2] was a Cuban composer who lived and composed in Spain, Cuba, Mexico, and the United States of America. Aaron Copland referred to Orbón as "Cuba's most gifted composer of the new generation."
Bésame mucho, el musical is a jukebox musical with a book written by Consuelo Garrido, Lorena Maza, and Victor Weinstock. The music, arranged by José María Vitier, features Bolero hit songs from the 1920s to the 1980s. It was the first original musical created by OCESA Teatro, Mexican leader in musical theatre. [1] [2]