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The Last Judgement is a triptych of oil paintings by the British artist John Martin, created in 1851–1853. The work comprises three separate paintings on a theme of the end of the world , inspired by the Book of Revelation .
The bodice of this look was printed with details portraying Hell and demons from three separate paintings by Hieronymus Bosch: The Last Judgment (c. 1482 or later), The Garden of Earthly Delights (c. 1500), and The Temptation of St Anthony (c. 1501 or later).
The Last Judgement (Martin paintings) Last Judgement (Fra Bartolomeo) Last Judgement (Lochner) Last Judgement (Venusti) The Last Judgement Triptych (Klontzas) The Last Judgement (Vasari and Zuccari) The Last Judgment (Bosch, Bruges) The Last Judgment (Bosch, Vienna) The Last Judgment (Fra Angelico, Florence) The Last Judgment (Bosch, Munich)
The Beaune Altarpiece (or The Last Judgement) is a large polyptych c. 1443–1451 altarpiece by the Early Netherlandish artist Rogier van der Weyden, painted in oil on oak panels with parts later transferred to canvas. It consists of fifteen paintings on nine panels, of which six are painted on both sides.
The painting was engraved in 1854 (after Martin's death) by Thomas McLean, together with two other paintings by Martin, Plains of Heaven and The Last Judgment (a group of three 'judgment pictures' [10]). [7] Despite wide public reception, the three paintings were rejected as vulgar by the Royal Academy. [14]
The Last Judgment (tempera on panel) is a painting by the Renaissance artist Fra Angelico. It was commissioned by the Camaldolese Order for the newly elected abbot, the humanist scholar Ambrogio Traversari. [1] It is variously dated to c1425, [2] 1425–1430 [3] and 1431. [1]
When it did not find a buyer it started to approach international institutions. The National Gallery made in bid in December 2017 that was conditional on the sale of a Chagall painting at auction on May 15, 2018. [5] The Musée de la civilisation and Montreal Museum of Fine Arts have made attempts to raise funds to buy the painting together. [5]
The central panel shows Jesus sitting in judgment on the world, while St Michael the Archangel weighs souls: he sends the damned towards Hell (the sinner in St. Michael's right-hand scale pan is a donor portrait of Tommaso Portinari); the left hand panel shows the saved being guided into heaven by St Peter and the angels.
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