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"Fountain of Sorrow" is a song written and performed by American singer-songwriter Jackson Browne. Released as the second single from his 1974 album Late for the Sky , at 6:42, it was the longest song on the album, and the longest song Browne had yet released (" For Everyman " was approximately 6:20).
The metaphorical complexity of 'Fountain of Sorrow' and the clear-eyed poignancy of 'For a Dancer' would be a tough act to follow...when his songwriting is sharp, the mellowing trend in his music dulls the impact." [13] A 1999 Rolling Stone review of For Everyman called Late for the Sky Browne's "masterpiece". [17]
Farnsworth "asked Jackson to peruse an unfinished song she had written. Jackson liked the lyrics and incorporated them into a song." [5] The lyrics concern a lover who had left because that person "needed to be free" and "had some things to work out alone," and the narrator's reaction to that return, with the lover claiming they had "grown:"
Word painting, also known as tone painting or text painting, is the musical technique of composing music that reflects the literal meaning of a song's lyrics or story elements in programmatic music. Historical development
[1] In the second verse the singer acknowledges that "for me some words come easy/But I know that they don't mean that much/Compared with the things that are said when lovers touch." [ 1 ] In the bridge the singer notes that he has been fooling himself by imagining that he could be the one who his lover needs.
Meaning Maker takes form as a series of fill-out-form pamphlets. [9] Each pamphlet is an "edition" which focuses on a single subject. The Meaning Makers are: Academic Conference, American Citizenship, Art Viewing Experience, Control, Family Gathering, Food, Higher Education, Periodic Personal Evaluation, Relationship to Nature, and U.S. Presidential Elections.
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A Virgin and a Whore is the fourth album by Finnish melodic death metal band Eternal Tears of Sorrow. It was their last album before the band's hiatus between 2001 and 2004. [ 1 ] This is the last EToS album to feature keyboardist Pasi Hiltula (who had been in the band since early 1999) and the only album to feature guitarist Antti Kokko .