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Canto Ostinato ("Obstinate Song" (as ostinato)) is a musical composition written by the Dutch composer Simeon ten Holt. The piece was completed in 1976 and performed for the first time in 1979 and is by far his most popular and most performed work.
Ostinato figures are also played on string instruments such as the kora, gankoqui bell ensembles, and pitched drums ensembles. Often, African ostinatos contain offbeats or cross-beats, that contradict the metric structure. [20] Other African ostinatos generate complete cross-rhythms by sounding both the main beats and cross-beats.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Two more singles, "Anak" and "Sa Ugoy Ng Duyan", were released in 1992 from Tagala Tagala. [5] Velasquez released her fourth studio album Reason Enough in 1993. [ 7 ] On it, she recorded a duet with Canadian singer Paul Anka for the record's first single "It's Hard to Say Goodbye", marking her first musical collaboration with an international ...
Abram, Dave. "Sounds From the African Rainforest". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pp 601–607. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0 "Banda Music of the Central African Republic - Sound Clip - MSN Encarta".
Following the creation of the Union of South Africa, Afrikaners objected to "God Save the King" being the only official anthem of South Africa. [1] However they had no desire to restore the old anthems of the former Boer Republics. [2] Accordingly, the Genootskap van Regte Afrikaners held a contest to create an Afrikaans-language national anthem.
The Kunta was formed during the 9th/15th or possibly during the 10th/16th century. They were located in the north-west side of Sahara. The Kounta were instrumental in the expansion of Islam into sub-Saharan West Africa in the 15th century, and formed an urban elite in cities such as Timbuktu which were on the southern end of the Trans-Saharan ...
Ewe music is the music of the Ewe people of Togo, Ghana, and Benin, West Africa. Instrumentation is primarily percussive and rhythmically the music features great metrical complexity. Its highest form is in dance music including a drum orchestra, but there are also work (e.g. the fishing songs of the Anlo migrants [1]), play, and other songs.