Search results
Results from the WOW.Com Content Network
The Stained Glass Association of America (originally The National Ornamental Glass Manufacturers Association) is a trade association formed in 1903 to protect the United States ornamental and stained-glass industry from foreign competition by cheaper European glass imports.
In January 2018, ACBA initiated intensive one-week courses in areas such as sculptural blacksmithing, decorative woodcarving, furniture restoration, furniture design and stained glass. In the Fall of 2018, the school added an undergraduate major in classical architecture and design. [citation needed]
He served as President of the Stained Glass Association of America, 1929–1930. [18] He was a member of the Philadelphia Board of Education (1934–1948), and organized art exhibitions that toured the city's public schools. [19] The University of Pennsylvania hosted a 1938 exhibition of D'Ascenzo's paintings, drawings and stained glass. [20]
The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
This emphasis on individuals not workshops can be seen more clearly in 14th century stained glass and was probably to increase the speed of production. Analysis of the glasses has shown they were originally the same colour and corroded identically, meaning that all the glass-painters used the same glass.
The Welsh School of Architectural Glass is a department of Swansea Metropolitan University which offers BAs and MA courses in architectural stained glass. The school was founded in 1935, when Howard Martin, who ran a glass company was invited by the Swansea Art College to run an evening class. [ 1 ]
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
However, in the case of stained glass, these efforts are complicated by the nature of the medium itself. This is because a stained-glass window is a 'complex object' in that it is made from more than one component material, each with its own inherent risks and conservation needs (Pye 2001, 80).