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Oedipus describes the riddle of the Sphinx by Jean-Auguste-Dominique Ingres, c. 1805. In classical psychoanalytic theory, the Oedipus complex (also spelled Œdipus complex) refers to a son's sexual attitude towards his mother and concomitant hostility toward his father, first formed during the phallic stage of psychosexual development.
Oedipus (UK: / ˈ iː d ɪ p ə s /, also US: / ˈ ɛ d ə-/; Ancient Greek: Οἰδίπους "swollen foot") was a mythical Greek king of Thebes.A tragic hero in Greek mythology, Oedipus fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.
Sigmund Freud, and psychoanalysts after him, saw the father complex, and in particular ambivalent feelings for the father on the part of the male child, as an aspect of the Oedipus complex. [1] By contrast, Carl Jung took the view that both males and females could have a father complex, which in turn might be either positive or negative. [2]
Electra at the Tomb of Agamemnon by Frederic Leighton, c. 1869. In neo-Freudian psychology, the Electra complex, as proposed by Swiss psychiatrist and psychoanalyst Carl Jung (26 July 1875 – 6 June 1961) in his Theory of Psychoanalysis, [1] [2] is a girl's psychosexual competition with her mother for possession of her father.
In On a Question Preliminary to Any Possible Treatment of Psychosis (1957), Lacan represents the Oedipus complex as "the metaphor of the Name-of-the-Father, that is, the metaphor that substitutes this Name in the place first symbolized by the operation of the absence of the mother". [13] All paternity thus involves metaphoric substitution.
Penis envy stems from Freud's concept of the Oedipus complex in which the phallic conflict arises for males, as well as for females. [8] [9] Though Carl Jung made the distinction between the Oedipus complex for males and the Electra complex for females in his work The Theory of Psychoanalysis, [10] Freud rejected this latter term, stating that the feminine Oedipus complex is not the same as ...
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Campbell used the work of early-20th-century theorists to develop his model of the hero (see also structuralism), including Freud (particularly the Oedipus complex), Carl Jung (archetypal figures and the collective unconscious), and Arnold Van Gennep. Van Gennep contributed the concept of there being three stages of The Rites of Passage.