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The term marimba refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. [1] The term is of Bantu origin, deriving from the prefix ma-meaning 'many' and -rimba meaning 'xylophone'. The term is akin to Kikongo and Swahili marimba or malimba. [2]
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
Instrument Picture Classification H-S Number Origin Common classification Relation Accordina: aerophones: 412.132: France: free reed instruments: accordion
The Cubans call it marímbula, and most of the other Caribbean countries have adopted this name or some variant of it: marimba, malimba, manimba, marimbol. The instrument has a number of other names, such as marímbola (Puerto Rico), bass box, calimba (calymba), rhumba box, Church & Clap, Jazz Jim or Lazy Bass , and box lamellophone.
This is a list of marimba manufacturers, including both past and current marimba makers. This list of songs or music-related items is incomplete ; you can help by adding missing items . ( October 2021 )
To marimba players this technique is called “transport”, and it is very common to see this technique applied to the marimba simple. Arch or Ring Marimba. The arch marimba was probably the first, followed by a simple instrument with a diatonic row of wood bars played with mallets, with gourd resonators, placed on a wooden a stand. In 1894 ...
The Classical Marimba League is dedicated to the marimba, a keyboard percussion instrument. The Classical Marimba League (CML) is an international organization dedicated to the advancement of the marimba. The musical repertoire for the marimba in the classical concert venue is quite young and sparse.
The British composer and percussionist James Wood has contributed several works to the repertoire, including Stoicheia (1987–88), requiring over 600 instruments played by 16 percussionists, as well as electronics, Village Burial with Fire for percussion quartet (1989), and Spirit Festival with Lamentations, for quarter-tone marimba and four ...