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Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [31]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [32] which sits above the proem in the surviving manuscripts of the collection; [33] this proem, an address to the legendary poet Musaeus of Athens (a kind of address found ...
In line 9 of the Orphic Hymn to Prothyraia, she is addressed as "Eileithyia", and in line 12 she is called "Artemis Eileithyia". [5] The epithets applied to her in the hymn relate primarily to her role in helping with births, [5] and the request of the hymn implores her to aid in giving birth. [7]
Orphic mosaics were found in many late-Roman villas. Orphism is the name given to a set of religious beliefs and practices [1] originating in the ancient Greek and Hellenistic world, [2] associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned.
Proclus, Hymn to Athena in Sallust, On the gods and the world; and the Pythagoric sentences of Demophilus, translated from the Greek; and five hymns by Proclus, in the original Greek, with a poetical version. To which are added five hymns by the translator, translated by Thomas Taylor, London, Printed for E. Jeffrey, 1793.
The Derveni papyrus is an Ancient Greek papyrus roll that was discovered in 1962 at the archaeological site of Derveni, near Thessaloniki, in Central Macedonia.A philosophical treatise, the text is an allegorical commentary on an Orphic poem, a theogony concerning the birth of the gods, produced in the circle of the philosopher Anaxagoras.
The Homeric Hymns (Ancient Greek: Ὁμηρικοὶ ὕμνοι, romanised: Homērikoì húmnoi) are a collection of thirty-three ancient Greek hymns and one epigram. [a] The hymns praise deities of the Greek pantheon and retell mythological stories, often involving a deity's birth, their acceptance among the gods on Mount Olympus, or the establishment of their cult.
— Orphic Hymn 2, to Prothyraia, as translated by Thomas Taylor, 1792. Eileithyia is commonly in classical Greek art most often depicted assisting childbirth. Vase-painters, when illustrating the birth of Athena from Zeus' head, may show two assisting Eileithyiai, with their hands raised in the epiphany gesture.
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