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Since the 19th century, the art of dream interpretation has been transferred to a scientific ground, making it a distinct part of psychology. [1] However, the dream symbols of the "unscientific" days—the outcome of hearsay interpretations that differ around the world among different cultures—continued to mark the day of an average person, who is most likely unfamiliar with Freudian ...
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The 'wise Penelope' explains how "the dreams are by nature perplexing and full of messages which are hard to interpret", and goes on to describe the two gates of the evanescent dreams; the truthful gate of polished horn and the deceitful gate of sawn ivory. [14] [7] For two are the gates of shadowy dreams, and one is fashioned of horn and one ...
Oneiromancy (from Greek όνειροϛ ' dream ' and μαντεία (manteia) ' prophecy ') is a form of divination based upon dreams, and also uses dreams to predict the future. Oneirogen plants may also be used to produce or enhance dream-like states of consciousness.
A thought recording and reproduction device refers to any machine which is able to both directly record and reproduce, via a brain-computer interface, the thoughts, emotions, dreams or other neural/cognitive events of a subject for that or other subjects to experience. While currently residing within mostly fictional displays of the capacity of ...
Land of Eight Million Dreams is a sourcebook intended to be used with the tabletop role-playing game Changeling: The Dreaming, where players take the roles of changelings. [1] [2] The book covers Asia – primarily China – as it is portrayed in the setting, [2] and introduces Asian changelings known as hsien or shinma to the game. [3]
A normal girl is transported to another world, known as the Dream World. Here, dreams are the energy of all beings living within it. The protagonist is revealed to be the long-lost Princess of Traumere and therefore the princess of the Dream World, and she must defend the world from creatures known as Dream Eaters, who steal people's dreams.
The definitive edition of the Greek text is by Roger Pack, Artemidori Daldiani Onirocriticon Libri V (Teubner 1963) A medieval Arabic version was made of the first three books (i.e., the "public" books) in 877 AD by Hunayn ibn Ishaq, and published by Toufic Fahd with a French translation in 1964 under the title Le livre des songes [par] Artémidore d'Éphèse