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Considered the patriarch of modern seascape art, his paintings hang in many major collections throughout the globe, including Canada, England, South America, South Africa, Japan, Mexico and Russia, as well as hundreds of American homes. Eugene Garin is an artist who appeals to both the novice collector and the connoisseur.
Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3] Sergeant Dawson and his Daughter: 1855 Unknown; attributed to John Jabez Edwin Mayall [15] Unknown [e]
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]
A native of Madison Heights, Michigan, Wyland began painting as a child and attended Detroit's Center for Creative Studies in the 1970s. [1] His connection with whales began when he was 14 on a visit with his family to Laguna Beach, California where he saw the ocean for the first time and witnessed several gray whales migrating down the California coast towards Mexico. [2]
This list of wildlife artists is a list for any notable wildlife artist, wildlife painter, wildlife photographer, other wildlife artist, society of wildlife artists, museum, or exhibition of wildlife art, worldwide.
A portion of the panoramic painting featuring New Bedford, Massachusetts. The Grand Panorama of a Whaling Voyage 'Round the World is a maritime panoramic painting created by Benjamin Russell and Caleb B. Purrington in 1848. [1] Today, it is located and displayed at the New Bedford Whaling Museum in New Bedford, Massachusetts. [2]
Photographer and educator Richard Benson observes the glaring discrepancy of size, such as the missing (or large and unseen) stairs to the door and the unusual appearance of the ocean waves in relation to the room. "Hopper has made this view of a pair of rooms as though it's through the wide-angle lens of a camera", writes Benson, "But when he ...
The painting depicts a turbulent seascape in the Roaring Forties, the part of the Southern Hemispheric Ocean between the latitudes of 40 and 50 degrees famed for its dangerous storms. Along with Wild Weather, the work is one of two seascape paintings by Waugh on display at the Metropolitan Museum of Art. [1] [2]
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