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Song Singers Lyrics Length (m:ss) 1 ... S. Janaki, Chorus: P. Bhaskaran: 3 "Nanma Nerum Amma" Sujatha Mohan, Latha Raju, Master Sreejith: P. Bhaskaran: 4 "Thumbi Thumbi"
The soundtrack includes six songs composed by A. R. Rahman and lyrics written by Chandrabose. The album was released on 20 August 2010 by Sony Music . [ 1 ] The album was released under the film's working title Komaram Puli , with the title of the film being changed to Puli upon release.
Best known for his work in Tamil films and other South Indian language films, Unnikrishnan has recorded over 40000 songs. He has also recorded songs for many non-film albums, tele-series, devotionals and classical collaborations. [2] Unnikrishnan shot to fame with his debut film song "Ennavale" composed by A. R. Rahman for the film Kadhalan (1994
Valu Jada Tholu Beltu (transl. Long braid-Leather belt) is a 1992 Indian Telugu-language comedy film, produced by Gutta Madhusudana Rao under the banner M.R.C. Movie Creations and directed by Vijaya Bapineedu. It stars Rajendra Prasad, Kanaka with music composed by Prasanna Swaraj.
M. M. Manasi is an Indian playback singer trained in Hindustani vocals and also dubbing artist. She has sung more than 170 songs in Tamil, Telugu, Kannada, Malayalam, Hindi, and English. [1]
Best Music Director — Telugu: Mickey J Meyer: Nominated Best Supporting Actor — Telugu: Prakash Raj: Nominated Best Supporting Actress — Telugu: Anjali: Nominated Best Female Playback Singer — Telugu: K. S. Chithra (for song "Seethamma Vakitlo Sirimalle Chettu") Won 3rd South Indian International Movie Awards [131] [132] [133]
The glory of Panduranga) is a 1957 Indian Telugu-language biographical film, based on the life of Pundarika, produced by N. Trivikrama Rao under the National Art Theatres banner and directed by Kamalakara Kameswara Rao. It stars N. T. Rama Rao, Anjali Devi and B. Saroja Devi (in her Telugu debut) with music composed by T. V. Raju.
The lyrics of "Adavari Matalaku Ardhale Verule", as lip-synched by Rao's character, describe the complex behaviour of women with men. [18] According to Pillai, Missamma shed light on the subtle, indirect way Telugu filmmakers dealt with the troublesome environment in Madras surrounding Tamil language and culture during the Visalandhra movement ...