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Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
Vietnamese also has 14 vowel nuclei, and 6 tones that are integral to the interpretation of the language. Older interpretations of Vietnamese tones differentiated between "sharp" and "heavy" entering and departing tones. This article is a technical description of the sound system of the Vietnamese language, including phonetics and phonology.
Before Vietnamese switched from a Chinese-based script to a Latin-based script, Vietnamese had used the traditional Chinese system of classifying tones. Using this system, Vietnamese has 8 tones, but modern linguists only count 6 phonemic tones. Vietnamese tones were classified into two main groups, bằng (平; 'level tones') and trắc (仄 ...
Standard Vietnamese has six tones, known as ngang, sắc, huyền, hỏi, ngã, and nặng tones. Thai has five phonemic tones : mid, low, falling, high and rising, sometimes referred to in older reference works as rectus, gravis, circumflexus, altus and demissus, respectively. [ 2 ]
The correspondence to the Chinese rising and departing tones is reversed from the earlier loans, so the Vietnamese hỏi and ngã tones reflect the Chinese upper and lower rising tone while the sắc and nặng tones reflect the upper and lower departing tone. Unlike northern Chinese varieties, Sino-Vietnamese places level-tone words with ...
Pitch-accent languages also contrast with fully tonal languages like Vietnamese, Thai and Standard Chinese, in which practically every syllable can have an independent tone. Some scholars have claimed that the term "pitch accent" is not coherently defined and that pitch-accent languages are just a sub-category of tonal languages in general.
The tone system of Middle Chinese is strikingly similar to those of its neighbours in the Mainland Southeast Asia linguistic area—proto-Hmong–Mien, proto-Tai and early Vietnamese—none of which is genetically related to Chinese.
The voiceless stops that typify the entering tone date back to the Proto-Sino-Tibetan, the parent language of Chinese as well as the Tibeto-Burman languages.In addition, Old Chinese is commonly thought to have syllables ending in clusters /ps/, /ts/, and /ks/ [1] [2] (sometimes called the "long entering tone" while syllables ending in /p/, /t/ and /k/ are the "short entering tone").