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The soul is wiser than we are, writes Wilde, it is the concentrated racial experience revealed by the imagination. Criticism is above reason, sincerity and fairness; it is necessarily subjective. It is increasingly more to criticism than to creation that future belongs as its subject matter and the need to impose form on chaos constantly increases.
Art never expresses anything but itself. All bad art comes from returning to Life and Nature, and elevating them into ideals. Life imitates Art far more than Art imitates Life. It follows as a corollary that external Nature also imitates Art. Lying, the telling of beautiful untrue things, is the proper aim of Art.
The idea of life imitating art is a philosophical position or observation about how real behaviors or real events sometimes (or even commonly) resemble, or feel inspired by, works of fiction and art. This can include how people act in such a way as to imitate fictional portrayals or concepts, or how they embody or bring to life certain artistic ...
Inspirational Quotes About Success "Life is 10% what happens to you and 90% how you react to it." — Charles R. Swindoll “Change your thoughts, and you change your world.”—
The first more or less objective biography of Wilde came about when Hesketh Pearson wrote Oscar Wilde: His Life and Wit (1946). [254] In 1954 Wilde's son Vyvyan Holland published his memoir Son of Oscar Wilde, which recounts the difficulties Wilde's wife and children faced after his imprisonment. [255] It was revised and updated by Merlin ...
Oscar Wilde wrote that "travel improves the mind" — and we couldn't agree more.
The book contains a timeline of Oscar Wilde's life, includes some of his drawings and his famous letter to his lover, Lord Alfred Douglas, known as De Profundis. Expurgated editions of De Profundis had been published by Wilde's literary executor Robbie Ross from 1905, but the 1962 edition published by Rupert Hart-Davis was the first full and ...
Beardsley created his first version of The Climax, J'ai baisé ta bouche Iokanaan, as an illustration for the French version of Oscar Wilde's play, Salome. This illustration and eight others were printed in an article, "A New Illustrator: Aubrey Beardsley", by Joseph Pennell in the first issue of the artistic journal, The Studio in April 1893.