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The Spirit of the Age (full title The Spirit of the Age: Or, Contemporary Portraits) is a collection of character sketches by the early 19th century English essayist, literary critic, and social commentator William Hazlitt, portraying 25 men, mostly British, whom he believed to represent significant trends in the thought, literature, and politics of his time.
In Latin literature, Augustan poetry is the poetry that flourished during the reign of Caesar Augustus as Emperor of Rome, most notably including the works of Virgil, Horace, and Ovid. In English literature , Augustan poetry is a branch of Augustan literature , and refers to the poetry of the 18th century, specifically the first half of the ...
Born in The Bronx, New York, of Russian and Romanian Jewish ancestry. [2] [3] Micheline took his pen name from writer Jack London and his mother's maiden name.He moved to Greenwich Village in the 1950s, where he became a street poet, drawing on Harlem blues and jazz rhythms and the cadence of word music.
English Renaissance poetry after the Elizabethan poetry can be seen as belonging to one of three strains; the Metaphysical poets, the Cavalier poets and the school of Spenser. However, the boundaries between these three groups are not always clear and an individual poet could write in more than one manner.
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The characteristics and style of Graveyard poetry is not unique to them, and the same themes and tone are found in ballads and odes. Many of the Graveyard School poets were, like Thomas Parnell, Christian clergymen, and as such they often wrote didactic poetry, combining aesthetics with religious and moral instruction. [3]
The Martian poets were English poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid. Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to break the grip of "the familiar" in English poetry, by describing ordinary things as if through the eyes of a Martian.
New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people.