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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Tours Boethius: De institutione arithmetica libri II: Bamberg, State Library, Msc.Class.5 Karl der Kahle (Bible de Vivien, dite Première Bible de Charles le Chauve Présentation du livre à l'empereur Saint-Martin de Tours, 845 BnF, Manuscrits, Latin 1 fol. 423).jpg: First Bible of Charles the Bald or Vivian Bible 845/846 Tours
Peeps Into Fairyland, The Bible, The Legend Of Glastonbury, The Sermon On The Mount, Countryside Treasures Horace John Knowles ( 22 July 1884 – 21 August 1954 ) was an author and illustrator . He is remembered mostly for magical depictions of Fairyland in his magnum opus Peeps into Fairyland , [ 1 ] as well as for his biblical illustrations.
The illustrations of J. J. Grandville have been noted as an influence on his work. [4] Wood-engraving was his primary method at this time. [ 5 ] In the late 1840s and early 1850s, he made several text comics , like Les Travaux d'Hercule (1847), Trois artistes incompris et mécontents (1851), Les Dés-agréments d'un voyage d'agrément (1851 ...
The Ashburnham Pentateuch (Paris, Bibliothèque Nationale de France, MS nouv. acq. lat. 2334, also known as the Tours Pentateuch and the Codex Turonensis) is a late 6th- or early 7th-century Latin illuminated manuscript of the Pentateuch (the first five books of the Old Testament).
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Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: JOSEPH TOOK THE YOUNG CHILD AND HIS MOTHER AND DEPARTED INTO EGYPT. 224 St- Matthew II. 14. Text Appearing After Image: 15 JESUS IN THE TEMPLE WITH THE LEARNED MEN. 225 st. Luke ii 46.
Gothic book illustration, or gothic illumination, originated in France and England around 1160/70, while Romanesque forms remained dominant in Germany until around 1300. Throughout the Gothic period , France remained the leading artistic nation, influencing the stylistic developments in book illustration .