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A poetic form similar to the Tanaga is the Ambahan. Unlike the Ambahan whose length is indefinite, the Tanaga is a seven-syllable quatrain. Poets test their skills at rhyme, meter and metaphor through the Tanaga because is it rhymed and measured, while it exacts skillful use of words to create a puzzle that demands an answer.
Haiku: a type of short poem, originally from Japan, consisting of three lines in a 5, 7, 5 syllable pattern. [2] English-language haiku: an unrhymed tercet poem in the haiku style. Lekythion: a sequence of seven alternating long and short syllables at the end of a verse.
What some people call Estonian haiku (Estonian: Eesti haiku) is a form of poetry introduced in Estonia in 2009. [23] The so-called "Estonian haiku" is shorter than a Japanese one; the syllable count in Japanese haiku is 5+7+5, while Estonian haiku also goes in three lines but only comprises 4+6+4 syllables. Estonian authors claim that this is a ...
Edition of the Kokin Wakashū anthology of classic Japanese poetry with wood-carved cover, 18th century. Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa ...
Compared to the more rigid literature of the Spanish era, the American period saw the popularity of the "free verse" in the Philippines, allowing for flexible poetry, prose, and other wordcraft. [8] The introduction of the English language was also of equal importance, as it became one of the most common languages that Filipino writers would ...
Waka, tanka, renga, haiku and senryū with translations and annotations. Carter, Steven D., editor and translator, Waiting for the Wind: Thirty-Six Poets of Japan's Late Medieval Age, Columbia University Press, 1989; Cranston, Edwin, editor and translator, A Waka Anthology, Volume One: The Gem-Glistening Cup, Stanford University Press, 1993.
Ildefonso Santiago Santos (January 23, 1897 – January 28, 1984) was a Filipino educator, poet, and linguist.Recognized as one of the finest poets in Tagalog, [1] Santos was also renowned with his translations of Rubaiyat of Omar Khayam and of the Philippine National Anthem, and for his use of the ancient Filipino form of poetry known as Tanaga.
During the Kojiki and Nihonshoki periods the tanka retained a well defined form, but the history of the mutations of the tanka itself forms an important chapter in haiku history, [7] until the modern revival of tanka began with several poets who began to publish literary magazines, gathering their friends and disciples as contributors.